New Book: Four-Note Diatonic Triad Cells

I’m especially pleased to announce that my latest eBook, Four-Note Diatonic Triad Cells: Comprehensive Studies in Leading Tones, is now available for purchase and immediate download. Major and minor triads are a fundamental building block of virtually any melodic language, most certainly including jazz. As an improvising musician, gaining mastery over the movement and connection […]

Breathing: Avoid This Misconception About “Moving the Air”

Whereas most of my blog posts are written with all instrumentalists in mind, this particular post is aimed exclusively towards wind instrumentalists and singers. It addresses a common misconception about how you manage the movement of the air on the exhalation  as you play or sing. The idea has to do with the concept of […]

Deepening Improvisation: Do This Every Time You Learn a New Melodic Pattern

Part of the work in studying improvisation is what I call “feeding” our ears and imagination. In essence, this involves learning and practicing new patterns and sequences. These patterns can be anything from simple, diatonic melodic movements, to more harmonically complex polytonal statements that you’ve discovered in a jazz etude book, to very particular “licks” […]

Listening to Your Sound Differently: An Experiment in Perception

There really is no such thing as truly hearing the “absolute reality” of your sound as you play. In part, that’s because your sound constantly changes as it is impacted by two fundamental things: 1. Environment 2. Perception Environment has to do with such things as the acoustical qualities of the room you’re playing in, […]

Healthy and Efficient Practice: Aim for Wanting This at the End of Each Session

Part of my work as practice coach is in helping musicians clarify their wishes. This involves suggesting ways to reframe what they want in a manner that is most conducive to actually getting it. One of the most fundamental desires I encourage my clients to cultivate has to do with how they feel at the […]